Which Edit Best Improves The Parallelism Of The Following Sentence

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Mar 14, 2026 · 6 min read

Which Edit Best Improves The Parallelism Of The Following Sentence
Which Edit Best Improves The Parallelism Of The Following Sentence

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    Which edit best improves the parallelism of the following sentence

    Parallelism is a grammatical principle that requires elements in a series or paired structures to share the same grammatical form. When a sentence mixes verb forms, noun phrases, or clause types inconsistently, the rhythm stalls and the reader’s focus shifts from meaning to mechanics. This article walks through a systematic approach to diagnosing parallelism problems, evaluating possible edits, and pinpointing the single change that yields the clearest, most persuasive construction.

    Understanding the Core Issue

    Before any edit can be judged, the writer must isolate the part of the sentence where the imbalance occurs. In the sample sentence below, three items are linked by commas, but each item follows a different grammatical pattern:

    • She enjoys reading, to write, and writing poetry.

    The first item is a gerund (reading), the second is an infinitive (to write), and the third is a gerund phrase (writing poetry). The mismatch creates a jarring rhythm and forces the reader to pause for reinterpretation.

    Step‑by‑Step Diagnostic Process

    1. Identify the coordinated elements – Locate each component separated by commas, conjunctions, or semicolons.
    2. Determine the grammatical category of each element – Is it a noun, verb, gerund, infinitive, or clause?
    3. Check for consistent form – All items should belong to the same category or follow the same structural pattern.
    4. List possible corrective strategies – These may include swapping verb forms, adding parallel infinitives, or restructuring the entire list.

    Applying these steps to the example yields the following categories:

    • reading → gerund (verb‑ing form acting as a noun)
    • to write → infinitive (to + base verb)
    • writing poetry → gerund phrase (verb‑ing + object)

    Because the categories differ, the sentence lacks parallelism.

    Evaluating Potential Edits

    Edit Option Resulting Phrase Parallelism Rating*
    Keep original reading, to write, and writing poetry Poor
    Replace to write with writing reading, writing, and writing poetry Good
    Replace reading with to read to read, to write, and writing poetry Mixed
    Replace writing poetry with poetry writing reading, to write, and poetry writing Mixed
    Convert all to infinitives to read, to write, and to write poetry Excellent
    Convert all to gerunds reading, writing, and writing poetry Excellent

    *Rating reflects how closely the items align grammatically and how smoothly they flow when read aloud.

    The table shows that several edits can restore balance, but the most efficient change is the one that requires the fewest modifications while delivering the strongest parallel structure.

    The Best Edit: Align All Elements as GerundsThe sentence becomes:

    She enjoys reading, writing, and writing poetry.

    Here, each item is a gerund phrase:

    • reading (gerund)
    • writing (gerund)
    • writing poetry (gerund phrase)

    All three share the ‑ing form, eliminating the earlier clash between gerund and infinitive. This edit not only resolves the grammatical mismatch but also preserves the original meaning and rhythm.

    Why this edit stands out

    • Minimal alteration – Only the second item changes from to write to writing, a single‑word substitution.
    • Consistent grammatical form – All three elements now function as nouns derived from verbs, satisfying the core rule of parallelism.
    • Enhanced readability – The sentence now flows smoothly when spoken, with a steady cadence that mirrors the list’s logical progression.
    • Preservation of nuance – The nuance between reading (a general activity) and writing poetry (a specific creative act) remains intact; the parallel structure does not flatten the distinction.

    Common Pitfalls When Fixing Parallelism

    • Over‑editing – Adding extra words can obscure the original intent. The best edit often involves a single lexical change rather than a full rewrite. - Inconsistent tense – Switching from present to past tense within a list breaks parallelism unless the shift is intentional and justified.
    • Mixing noun‑verb patterns – Pairing a noun with a verb phrase (e.g., reading, to write, and poetry) creates a structural imbalance that must be corrected.
    • Ignoring parallelism in longer constructions – In complex sentences, parallelism may span multiple clauses; each clause must follow the same syntactic template.

    Frequently Asked Questions (FAQ)

    Q1: Does parallelism only matter in lists?
    No. Parallelism also governs paired structures such as not only… but also, both… and, and balanced clauses. Maintaining consistent form across these pairings strengthens coherence.

    Q2: Can I use an infinitive throughout a list if the original sentence mixed forms? Yes, provided the infinitive accurately reflects the intended meaning. Converting all items to infinitives (to read, to write, and to write poetry) is a valid parallel solution, though it may slightly alter tone.

    Q3: What if the items are of different lengths? Length disparity does not violate parallelism. The critical factor is grammatical form, not word count. However, overly uneven phrasing can affect rhythm, so consider re‑phrasing for smoother flow.

    Q4: How does parallelism affect SEO?
    Search engines favor clear, well‑structured content. While parallelism is a stylistic concern, well‑formed sentences improve readability, which indirectly supports engagement metrics that search engines monitor.

    Q5: Is it ever acceptable to break parallelism for rhetorical effect? Sometimes. Deliberate imbalance can create emphasis or contrast, but such breaks should be intentional and clearly signaled by context. In most instructional or professional writing, preserving parallelism is preferable.

    Conclusion

    Parallelism is more than a grammatical nicety; it is a tool for crafting sentences that feel balanced, trustworthy, and easy to digest. In the example sentence, the single edit that best improves parallelism is to replace to write with writing, yielding

    ... reading and writing poetry, creating a clean, parallel gerund phrase that preserves the intended contrast between a broad habit and a focused art form.

    Conclusion

    Ultimately, parallelism functions as the skeleton of clear prose. It imposes order on ideas, guiding the reader effortlessly through the logic of a sentence. While the rules offer reliable templates—matching grammatical forms across lists, pairs, and clauses—the true skill lies in recognizing when to adhere to them and when, with purpose, to deviate. The goal is never mere syntactic conformity but enhanced meaning. A parallel structure builds rhythm, reinforces relationships, and projects confidence. In both everyday communication and polished publication, attending to this fundamental principle transforms disjointed phrasing into coherent, compelling thought. The simplest edit, as demonstrated, can elevate a sentence from awkward to authoritative, proving that in writing, balance is not just aesthetic—it is essential.

    Conclusion

    Parallelism is more than a grammatical nicety; it is a tool for crafting sentences that feel balanced, trustworthy, and easy to digest. In the example sentence, the single edit that best improves parallelism is to replace to write with writing, yielding

    ... reading and writing poetry, creating a clean, parallel gerund phrase that preserves the intended contrast between a broad habit and a focused art form.

    Conclusion

    Ultimately, parallelism functions as the skeleton of clear prose. It imposes order on ideas, guiding the reader effortlessly through the logic of a sentence. While the rules offer reliable templates—matching grammatical forms across lists, pairs, and clauses—the true skill lies in recognizing when to adhere to them and when, with purpose, to deviate. The goal is never mere syntactic conformity but enhanced meaning. A parallel structure builds rhythm, reinforces relationships, and projects confidence. In both everyday communication and polished publication, attending to this fundamental principle transforms disjointed phrasing into coherent, compelling thought. The simplest edit, as demonstrated, can elevate a sentence from awkward to authoritative, proving that in writing, balance is not just aesthetic—it is essential.

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